Exploring the Artistry of Motorcycle Journeys

Wanderlust on Two Wheels

 

Illustration: Agnes Prygiel, 2023

    It's been nearly a year since my last post. The past 12 months have been dedicated to travel, photography, and my motorcycle. Can motorcycling be somewhat artistic, fitting the original theme of my blog?

    For me, the worlds of motorcycles and art are distinct and distant. On my motorbike, I escape everything, including art and the concept of being an artist. At the peak of my journeys, I disconnect from everything except the challenges of the road. Muscles tight, body exhausted, senses alert, I sharpen my focus and clarify my future goals.

    Considering this, does the element of hardship and battling against the rain, wind, and our own weaknesses not remind us of Matthew Barney's "Drawing Restrain"? In his performative work, he explores hindrance, difficulty, and monotony by attempting to etch lines on a wall while connected to an expanding rubber rope. The rope restricts movement, challenging the artist to overcome it with sheer strength and muscle power.

    A 250-mile ride in adverse weather conditions is incredibly tiring and extreme. Let alone a much longer touring experience, spanning days and geographically varied lands. Your body stiffens and aches from hours in the same position, often soaked despite wearing supposedly fully waterproof £1000 laminated Goretex gear. So why endure this hardship? 

    Adversity is transformative. I change after each tour, feeling more resilient, capable of handling more than expected.

    During expeditions, I encounter the profound beauty and power of nature. Stunning places, hidden waterfalls, phenomenal cliffs, and the breathtaking sea resonate with my sense of serenity and solitude. I'm often amazed by the shapes of rocks, the direction of waves, and patterns on trees. I stop for hours to capture memories as a woman traveler and to photograph the perennial landscapes.

    So, is it art or not? I suppose it is.

Agnes Prygiel, London 30.05.2023

Carolee Schneemann's Legacy in 'Re-Thinking the Trace' Exhibition

From Action Painting to Tangled Connections

 

Carolee Schneemann performing in 1971, illustration by Agnes Prygiel, 2023

Artwork produced during M. Lohrum's performance, Stone Space Gallery, 2022

  

   

    In 1952, art critic Harold Rosenberg coined the term "action painting" to describe the use of expressive bodily movement in artistic creation. This technique, pioneered by Jackson Pollock, found a distinct manifestation in the work of Carolee Schneemann—an enigmatic feminist who explored her own body within the context of cultural norms. In her performance "Up To & Including Her Limits" (1971-76), she drew disorderly lines on sheets of paper while suspended naked in a leather harness. Unable to touch the surface or maintain a position, Schneemann utilized her movements and muscle strength for an exhaustive and dedicated creative process.

 

    Schneemann's influence resonated in the "Re-Thinking the Trace" show at The Stone Space Gallery in East London on May 20th, 2022. During the preview, eight participants, meeting for the first time, drew continuous black lines on large sheets of paper. The resulting artwork, a convoluted explosion of strokes, explored the interplay and clash of lines, forming a tangled eruption of connections.

 

    Conceptual and abstract thinker M. Lohrum orchestrated this captivating show, delving into questions of ownership and authenticity. Participants, including illustrator Cherry Cheuk Hei Kwan, book artist Titus Barker, gallery volunteer Maureen, and conceptual artist Iz Elliott, contributed to the unique collaborative artwork. Responding to a social media advert, they engaged in a drawing experiment guided by specified rules.

 

    The powerful artwork created during the performance is exhibited at The Stone Space Gallery until June 12th, 2022.

 

Agnes Prygiel / 28.05.2022 / London

Multifaceted Artistry of a Young Composer

Dreamnote Unveiled

A Journey into the Multidisciplinary World of Noah Max

Noah Max

   

    I was deeply honored to receive a personal invitation to Noah Max's Dreamnote exhibition at The Tabernacle in Notting Hill. The showcase featured a compelling collection of expressive abstract paintings and emotional portraits.

    Noah, a young yet accomplished creator, primarily delves into the world of music. As a composer and conductor, he founded the Echo Ensemble Orchestra, and his debut album, "Songs of Loneliness," was published by Toccata Music Group in early 2022. His chamber opera, based on John Boyne’s "The Boy in the Striped Pyjamas," explores Max’s Jewish heritage and the history of the Holocaust.

    Diving into Noah’s artistic profile proved captivating, uncovering his mastery in music, paintings, video art, and poetry. Often compared to Baroque composers for his multidisciplinary approach, Noah's talent shines through.

    Displayed at The Tabernacle, "The Candle Lagoon" panels and the portrait of British musician and conductor John Whitfield are truly captivating. The first two pieces were created during a live classical concert, responding directly to the vibrations and emotions evoked by the music. The study for John Whitfield's portrait was crafted in the composer’s final days while battling cancer.

    In a conversation with Noah, I discovered the profound significance of dreams in his life. Much like the visions of the sleeping mind, his paintings invite us into a universe of spontaneous experiences and diverse interpretations. Intuitive paint splashes and broad brush strokes connect Noah with the legacies of Edvard Munch and Keith Haring.

    Meeting this gifted creator, whose artistic exploration spans multiple genres, was truly wonderful. I eagerly anticipate his next projects.

Noah Max - https://www.noahmax.net/

Agnes Prygiel / London / 25.05.2022

Gazelli Art House Panel: Female Presence in British Pop Art

Pauline Boty: Art, Courage, Impact

    On February 22nd, 2022, Gazelli Art House hosted a panel discussion with Sue Tate and Ali Smith, centering on Pauline Boty's legacy. The presentation placed the artist within the context of 20th-century art and included her friends at the event.

    Influenced by Max Ernst, Boty used Victorian prints to convey a message anticipating cultural changes, envisioning a world where women could impact history on par with men. In her "Big Hand" collage, a godlike female palm hovers over an imposing architecture of a traditional ancient city.

    Boty's paintings evolved from her exploration of collage. Drawing inspiration from Marilyn Monroe and frequently integrating images of the iconic actress into her works, she sought to articulate her own female identity and boundaries through art.

    Sadly, she passed away at 28, diagnosed with cancer during pregnancy, choosing not to undergo chemotherapy or abortion. Her sacrifice for her daughter, who later succumbed to a drug overdose at 29, adds a poignant layer to her story.

    Examining Boty's life and art against the feminist and cultural shifts of the 60s and 70s, we recognize her as a trailblazer who challenged societal norms. Despite facing challenges in relationships and initially lacking recognition, her influence on gender issues has shaped the path for contemporary artists. Today, she stands rightfully acknowledged in history, remembered for her impactful journey and significant contributions to British Pop-Art.

Agnes Prygiel / 05.03.2022 / London

One Hundred Thousand Surfaces Collide

Sandra Beccarelli: A Symphony of Layers

Sandra Beccarelli at work

Niki de Saint Phalle - artist at work, 1961

 

    Sandra Beccarelli's "One Hundred Thousand Surfaces Collide" exhibition at The Stone Space Gallery features captivating abstract art using diverse materials and techniques. Building materials like expandable foam are intuitively pierced with power tools, creating intricate layers of surfaces, lines and color blocks. The artist's dedication, reminiscent of Niki de Saint Phalle, using tools as symbols of strength, and her canvas alterations inspired by Yves Klein, evoke weightlessness. 

 

    Explore this exhibition until March 20, 2022. 

 

    #SandraBeccarelliArt #AbstractArtExhibition #ArtisticExploration 

    #GalleryPreview #MixedMediaArt

    Agnes Prygiel / London / 01.03.2022