A few weeks ago, I had the pleasure of visiting the Gallery of Modern Art (GoMA) in Glasgow, a space that blends charm and intrigue with its eclectic collection of fun and significant artworks. The experience begins with Eduardo Paolozzi's vibrant mechanical sculpture—a fantastical, non-functional machine that captivates with its bold colours and imaginative design.
The upper floors offer a fascinating exploration of the intersection between art and design, showcasing pieces that balance functionality and artistic expression. Nicola L.'s whimsical inflatable yellow foot-seat is a clever reinterpretation of a chaise longue. Ettore Sottsass transforms the concept of a bookshelf into a striking red, harpoon-shaped sculpture. Rabiya Choudry’s vivid painting, Dream Baby Dream, offers a reflective dive into the chaotic beauty of human thought. Niki de Saint Phalle's cow-shaped flower pot and her iconic perfume packaging are vibrant, standout pieces that exude her unmistakable artistic style.
Although my visit was cut short due to arriving late, the variety and depth of the exhibits left a lasting impression. I didn’t manage to see everything, but it’s a place I will definitely revisit to explore further.
No trip to GoMA is complete without admiring the iconic Duke of Wellington statue outside, humorously adorned with its signature street cone—a symbol of Glasgow’s playful spirit. GoMA is not just a museum; it’s an experience that bridges art, humor, and everyday culture.
Agnes Prygiel, 20/11/2024